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Colour

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I used colour in my images many years ago to represent digits. What has changed over time is my palette for representing digits. The more colours I put on the palette, the more two colours or shades will look similar - and that is undesirable. There are three shades of brown in the palette picture below - and they are quite close to each other in tint!

By having this idea that a colour can indicate a digit (or represent a letter of the alphabet), it opens up the possibility of memorising information by remembering the colours of a picture.

I have used this feature in many of the images which I make. The colour of someone's hat or clothing top or trousers or hair can all mean something: digits or perhaps letters of the alphabet.

I would like to have a suite of games where the characters are introduced and learned by students - and then, later, memory games can be introduced to the student based on the colours which comprise them and any icons on their clothing.


Now that I have a main system where a colour can mean a number, I can have images which mean months of the year; and colour those images in a colour that helps my article about calendar 'day of the week' maths: for the 12 months of the year:

1. Tambourine


2. Feverish Person (sounds like February)


2. Marching Person


2. Ape (sounds like April)


5. Mail (May visualised as an envelope for someone's mail.)


6. jug (sounds like June)


7. Jewel necklace


8. Organ musical instrument (sounds like August.)


9. Separate (a magnet separates from another magnet)


10. Octopus


11. New ribbon bow


12. December decoration.



Colour Fill

I experimented with using stroke fills like white diagonal strokes across a red colour. If the strokes are close together then the overall appearance is of an off-red colour rather than a memorable stroke fill.

I can see a potential use of more spread out strokes to help distinguish some colours from others. I have trouble with two colours that look like types of dark grey: colours 18 and 20. So it might be good if I had a rule that colour 20 also needs diagonal strokes through it in a picture.

Colours 02 and 13 are both yellows. So give Colour 13 black horizontal stipes across the light yellow background.

Colours 11 and 21 could have stroke fills. Colour 11 could use diagonal strokes; and colour 21 could use dots as a fill.

Colour 12 could have a diagonal stroke fill. Colour 27 could use triangles; and colour 23 could use diamonds; and colour 19 can use 4 prong stars.


11:


12:


13:


19:


20:


21:


23:


27:


28 and 29 would be nice to represent as well; and it would let me continue to use colour to represent letters f alphabets that are bigger than the English [Roman] alphabet. 28 can be:

28:


29 can be:

With the actions work, someone might whip an object and the whip action means a spelling prompt but the colour fill of the whip can spell something too. However, it would be hard to imagine two rows of circles shapes or two rows of triangles in the narrow shape of the whip; so I would imagine a single layer of shapes along the whip material. It is a shame that extra layer of complexity is added but I do not see a better way to have a colour represent a letter spelling unambiguously.


Why do some colours represent more than one spelling?

In the colour chart, red represents the number 9 and it represents V and also ZH (the sound in 'pleasure' that sounds a bit like 'j'). There is a murky green which represents the number 22 but also the spelling "H" and the spellig "TH"; but I already said that 28 and 29 are spare and so you would think that I would split out the spellings and put TH into one of those spare positions.

Note: I was keen on a 100 backdrop pattern system; and the pattern backdrops you see in this article are part of the bigger 100 pattern backdrop idea. However, I don't need a 100 pattern system anymore. I will keep some of those patterns in this article though.

I used to think that I could easily confuse the two yellows: colour 2 and colour 13; but I have seen them so often now that I think that I can distinguish them quite well. For colour filling hair, I could make the grey 20 hair style have a dot brush fill in it so that I can more easily distinguish it from grey 18. And could make the brown 21 colour have some black dot fill pattern in the hair (or hat) in order to distinguish it from brown 6 and brown 11. Or maybe that dot idea is overkill.

The bigger the area of colour fill, the easier it is to distinguish the colours, in my opinion. I think that outfit colour fill can be plain colours without embellishment.

Maybe practice makes perfect: maybe, in the same way that I distinguish the two yellows well nowadays, maybe the 3 browns will become significantly easier for me to distinguish, in time. The tricky aspect is that I need to be able to recall a colour well enough to distinguish its shade from the other shades; that is harder than starting off with seeing the correct colour on a computer screen or page because the colour presentation has been done for me.

The Grey 18 (= "T") reminds me of a threatening thunder storm sky. The Grey 8 (="Y") is like an overcast grey day. Grey 20 (="L") reminds me more of manmade material colour - like a shade of metal with maybe a hint of blue in it. Maybe it would be the colour of a bolt or the colour of a building block.

Brown 6 is a lot darker than the other two browns; so I am most hopeful of distinguishing that one; it reminds me of a hot chocolate drink. Brown 11 ("J") reminds me of a jam gel put on cakes or biscuits; or it reminds me of a shade which artists use when drawing autumn. Brown 21 ("CH") is a bit like a colour I see in olives.

Here is a variety of honey mustard that is close to brown 21:

When you do look at the article about hairstyle and the article about 50 outfits, you will see that space 28 does get used for 'TH' but outfits numbered 0 through to 27 use similar spelling prompts to this COlours article.


Hexadecimal codes for the colours

Color Swatch Hex Codes
Index Approximate Hex Code
0 000000
1 F88017
2 FCCC10
3 42B62A
4 FF00C6
5 000093
6 974724
7 F5C3C6
8 E6E2E2
9 FF0209
10 FFFFFF
11 C67429
12 5F4FC7
13 FFFF43
14 F9DBA5
15 00FFFF
16 601B84
17 0091C7
18 A9A193
19 DC3874
20 90A2A2
21 9D7233
22 757500
23 ADE7A2
24 CCDF28
25 9B30FF
26 FE7D68
27 87CEFA

But if I am just using colours 01 to 10 in a piece of work then exact shades of grey or exact shades of blue are not crucial; and that lets me use a gray that is more non-white than colour 08 is; and blue 05 needn't be so dark. So sometimes I do break away from the strict hex colour approach.

And when I use colours 00 to 19 to colour fill hair, I am aiming to distinguish brown 11 from brown 06 by adding waves of gray to the brown 11 version of each hairstyle. Yellow 13 can have grey hair waves added to distinguish that yellow from yellow 02 and colour 12 can have waves of grey added to it in hair colour fill in order to distinguish it easily from colours 05 and 17. And light grey 08 is quite close to white 10; so I am adding grey waves to the whitish grey 08 hairstyle

Despite that use of gray waves, I have not used them on the 1000 cartoon women because simple hair colour fills were all I had when I focused on them.


Colour Varies Between Devices

If a colour looks wrong to me, sometimes, it can be because the colour looks fine on my laptp but looks a bit different on my mobile phone.